Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Sia: "Breathe Me"
Colour the Small One (2004) is Australian singer-songwriter Sia's third album. Apparently this song was featured on HBO's Six Feet Under television series and has appeared on numerous other shows and movies. Well, that's great. That's not how I heard it, though. I just thought her voice was unique and it was a powerful song. Perhaps that's why it was chosen for all those uses. Hmmm.
Soundgarden: "Black Hole Sun"
The third single from Superunknown (1994) is hands down my favorite Soundgarden song. It's a real departure from their normal fare, being very accessible. It had more radio play than any other Soundgarden song and is probably how I came to hear it to begin with. I love Chris Cornell's voice and Kim Thayil's guitar through the Leslie speaker on this tune. I couldn't begin to tell you what it's about, but the chord progression and melody are great. I also love the super-heavy bridge and ending. The video is super creepy, too.
Jane's Addiction: "Up the Beach"
"Up the Beach is a powerful opening track on Jane's Addiction's 1988 studio debut, Nothing's Shocking. There are no meaningful lyrics, making the song more of a mood piece - a sonic painting. It opens with Eric Avery's bass line and then Dave Navarro layers on huge guitar parts that are the meat of the song. Perry Farrell adds a layer of ooh's and aah's that complete the picture. I like this album, but to me, the opening track is the strongest part.
Until next time...
Monday, September 29, 2014
Friday, September 26, 2014
Three for the Ride: Moby, D.C. Talk, Nazareth
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Moby: "Memory Gospel"
I mentioned in a previous column that this track appears on the Get Carter Soundtrack (2000). It's from Moby's Play: B-sides (200) and also appears on the "Honey" CD single release which includes several other tracks. That's all I got. I don't know the female artist who sings on it and would love to know who it is if you're in the know. Great track, regardless.
DC Talk: "Jesus Freak"
Christian music was way behind the times in the 70's through the 90's. It's gotten much better with bands like Switchfoot, Skillet, and others. But in 1995, Jesus Freak, the third album by the Washington D.C.-based rap act (hence the name D.C. Talk), was a break-through that literally changed the Christian music scene. It reached 16 on the Billboard 200 had six singles reach number-one across various Christian radio formats and it won the 1997 Grammy Award for Best Rock Gospel Album. It is an outrageously well written and produced rock album that is one of my favorite records, period. The album was co-produced by the lead rapper and founder, TobyMac (Toby McKeehan whose musical sensibilities are fantastic.
Nazareth: "Miss Misery"
Nazareth was a Scottish rock-metal band that finally gained international acclaim with their sixth record, 1975's Hair of the Dog. The title track and "Love Hurts" were the two singles released from the album. This track, the second on the record, reminds me a lot of early Black Sabbath. It's a pretty dark, straight-ahead metal tune with a very interesting ending.
Until next time...
Here's what I heard this morning:
Moby: "Memory Gospel"
I mentioned in a previous column that this track appears on the Get Carter Soundtrack (2000). It's from Moby's Play: B-sides (200) and also appears on the "Honey" CD single release which includes several other tracks. That's all I got. I don't know the female artist who sings on it and would love to know who it is if you're in the know. Great track, regardless.
DC Talk: "Jesus Freak"
Christian music was way behind the times in the 70's through the 90's. It's gotten much better with bands like Switchfoot, Skillet, and others. But in 1995, Jesus Freak, the third album by the Washington D.C.-based rap act (hence the name D.C. Talk), was a break-through that literally changed the Christian music scene. It reached 16 on the Billboard 200 had six singles reach number-one across various Christian radio formats and it won the 1997 Grammy Award for Best Rock Gospel Album. It is an outrageously well written and produced rock album that is one of my favorite records, period. The album was co-produced by the lead rapper and founder, TobyMac (Toby McKeehan whose musical sensibilities are fantastic.
Nazareth: "Miss Misery"
Nazareth was a Scottish rock-metal band that finally gained international acclaim with their sixth record, 1975's Hair of the Dog. The title track and "Love Hurts" were the two singles released from the album. This track, the second on the record, reminds me a lot of early Black Sabbath. It's a pretty dark, straight-ahead metal tune with a very interesting ending.
Until next time...
Wednesday, September 24, 2014
Three for the Ride: KISS, The Church, Cream
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
KISS: "Do You Love Me?"
KISS released Destroyer in 1976. Produced by the genius Bob Ezrin (Alice Cooper, Aerosmith, Lou Reed, Peter Gabriel, Pink Floyd, and oh-so-many more), Destroyer was their fourth studio album and is, by far, my favorite KISS album. The album features 10 tracks, including "Detroit Rock City", "God of Thunder", "Shout It Out Loud", "Beth", and the rock-love anthem "Do You Love Me?" I love the huge over-produced refrain at the end. Orchestral bells will get me just about every time.
The Church: "Destination"
The Church's sixth album, Starfish. was released in 1988. It was the first mainstream success the band experienced and they had a major hit with "Under the Milky Way." I was suckered in and bought the record. It's a great record. The songwriting is strong and the style unique. There are great guitar textures, varying moods, and an almost ethereal quality to some of the record. It also definitely has moments where the band's "Aussie" peeks through.
Cream: "Badge"
I watched the Concert for George for the first time the other night. Eric Clapton sort of hosted the event. And whenever I think of Eric and George Harrison together, in addition to "While My Guitar Gently Weeps", I also think of "Badge." They wrote it together and I think it's the best thing Cream ever did. (Well, O.K., it's tied with "White Room.") I got to see Eric play this live the first time I saw him, too, which is a whole other great story. From 1969's Goodbye...
Until next time...
Here's what I heard this morning:
KISS: "Do You Love Me?"
KISS released Destroyer in 1976. Produced by the genius Bob Ezrin (Alice Cooper, Aerosmith, Lou Reed, Peter Gabriel, Pink Floyd, and oh-so-many more), Destroyer was their fourth studio album and is, by far, my favorite KISS album. The album features 10 tracks, including "Detroit Rock City", "God of Thunder", "Shout It Out Loud", "Beth", and the rock-love anthem "Do You Love Me?" I love the huge over-produced refrain at the end. Orchestral bells will get me just about every time.
The Church: "Destination"
The Church's sixth album, Starfish. was released in 1988. It was the first mainstream success the band experienced and they had a major hit with "Under the Milky Way." I was suckered in and bought the record. It's a great record. The songwriting is strong and the style unique. There are great guitar textures, varying moods, and an almost ethereal quality to some of the record. It also definitely has moments where the band's "Aussie" peeks through.
Cream: "Badge"
I watched the Concert for George for the first time the other night. Eric Clapton sort of hosted the event. And whenever I think of Eric and George Harrison together, in addition to "While My Guitar Gently Weeps", I also think of "Badge." They wrote it together and I think it's the best thing Cream ever did. (Well, O.K., it's tied with "White Room.") I got to see Eric play this live the first time I saw him, too, which is a whole other great story. From 1969's Goodbye...
Until next time...
Tuesday, September 23, 2014
Three for the Ride: The Pursuit of Happiness, Badfinger, KXM
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
The Pursuit of Happiness: "I"m an Adult Now"
Todd Rundgren is a prolific producer, having produced some of the biggest selling records of all time, including Meatloaf's Bat out of Hell. He's produced Cheap Trick, The Tubes, Patti Smith, XTC, New York Dolls, Badfinger, Grand Funk Railroad, Hall & Oates, the Psychedelic Furs, Bourgeois Tagg and the Canadian band, The Pursuit of Happiness - just to name a few. The album, Love Junk, was released in 1988. This was the first of three singles from the record. At the time, it was a pretty heavy tune. You can definitely hear Todd's influence on it.
Badfinger: "No Matter What"
1970's No Dice was Badfinger's second album and this was the band's first top-ten single. Written by the late Pete Hamm and the late Mal Evans. It has a distinct Beatle flavor to it. The band was on Apple records and the song was recorded at Abbey Road Studios so there was definitely a Beatle influence there.. I recently got to see Joey Molland play this song. Joey is the surviving guitarist who played on the original track. He's the McCartney look-alike strumming happily away on the Gibson Firebird in the video.
KXM: "Rescue Me"
What do you get when you put together drummer Ray Luzier (Korn), bassist, vocalist Dug Pinnick (King's X), and guitarist George Lynch (Dokken, Lynch Mob)? KXM. It's soulful, heavy, kick-ass, melodic metal with amazing drums and a killer hook. This track, "Rescue Me", is from 2013's self-titled debut.
Until next time...
Here's what I heard this morning:
The Pursuit of Happiness: "I"m an Adult Now"
Todd Rundgren is a prolific producer, having produced some of the biggest selling records of all time, including Meatloaf's Bat out of Hell. He's produced Cheap Trick, The Tubes, Patti Smith, XTC, New York Dolls, Badfinger, Grand Funk Railroad, Hall & Oates, the Psychedelic Furs, Bourgeois Tagg and the Canadian band, The Pursuit of Happiness - just to name a few. The album, Love Junk, was released in 1988. This was the first of three singles from the record. At the time, it was a pretty heavy tune. You can definitely hear Todd's influence on it.
Badfinger: "No Matter What"
1970's No Dice was Badfinger's second album and this was the band's first top-ten single. Written by the late Pete Hamm and the late Mal Evans. It has a distinct Beatle flavor to it. The band was on Apple records and the song was recorded at Abbey Road Studios so there was definitely a Beatle influence there.. I recently got to see Joey Molland play this song. Joey is the surviving guitarist who played on the original track. He's the McCartney look-alike strumming happily away on the Gibson Firebird in the video.
KXM: "Rescue Me"
What do you get when you put together drummer Ray Luzier (Korn), bassist, vocalist Dug Pinnick (King's X), and guitarist George Lynch (Dokken, Lynch Mob)? KXM. It's soulful, heavy, kick-ass, melodic metal with amazing drums and a killer hook. This track, "Rescue Me", is from 2013's self-titled debut.
Until next time...
Monday, September 22, 2014
Three for the Ride: Alanis Morrissette, Pat Metheny Group, Stylistics
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Alanis Morissette: "Dear Prudence"
In October, 2001, TNT aired Come Together: A Night for John Lennon's Words and Music. It featured some great performances, like STP doing "Revolution", Cyndi Lauper's version of "Strawberry Fields Forever", Shelby Lynne's tear-jerking rendition of "Mother", Lou Reed performing "Jealous Guy", Rufus Wainwright and Sean Lennon doing "This Boy" and "Across the Universe" (Moby is also on the latter), and this track, "Dear Prudence" performed by Alanis Morissette. Her band is killing it, especially her drummer, Gary Novak. The performances are floating around out there on YouTube, etc. Check 'em out.
Pat Metheny Group: "American Garage"
This is the title track from American Garage, released in 1979. Going to number one on the US Jazz charts, it has Metheny's signature guitar sound, but this song, in particular, is a bit more "rock" than his usual fare. The album features Pat Metheny on electric and acoustic guitars, Lyle Mays on keys, bassist Mark Egan, and Dan Gottlieb on Drums. I love the cover of this album with the Airstream trailers on it. Such great Americana.
Stylistics: "You'll Never Get to Heaven (If You Break My Heart)"
The Stylistics were an early-70's soul group out of Philadelphia. The band's signature sound was that of Russell Thompkins, Jr.'s falsetto vocal stylings. Burt Bacharach and Hal David wrote this song that appeared on 1972's Round 2, their second album. The song was also sung quite famously by Dionne Warwick, but this version actually charted a little higher.
Until next time...
Here's what I heard this morning:
Alanis Morissette: "Dear Prudence"
In October, 2001, TNT aired Come Together: A Night for John Lennon's Words and Music. It featured some great performances, like STP doing "Revolution", Cyndi Lauper's version of "Strawberry Fields Forever", Shelby Lynne's tear-jerking rendition of "Mother", Lou Reed performing "Jealous Guy", Rufus Wainwright and Sean Lennon doing "This Boy" and "Across the Universe" (Moby is also on the latter), and this track, "Dear Prudence" performed by Alanis Morissette. Her band is killing it, especially her drummer, Gary Novak. The performances are floating around out there on YouTube, etc. Check 'em out.
Pat Metheny Group: "American Garage"
This is the title track from American Garage, released in 1979. Going to number one on the US Jazz charts, it has Metheny's signature guitar sound, but this song, in particular, is a bit more "rock" than his usual fare. The album features Pat Metheny on electric and acoustic guitars, Lyle Mays on keys, bassist Mark Egan, and Dan Gottlieb on Drums. I love the cover of this album with the Airstream trailers on it. Such great Americana.
Stylistics: "You'll Never Get to Heaven (If You Break My Heart)"
The Stylistics were an early-70's soul group out of Philadelphia. The band's signature sound was that of Russell Thompkins, Jr.'s falsetto vocal stylings. Burt Bacharach and Hal David wrote this song that appeared on 1972's Round 2, their second album. The song was also sung quite famously by Dionne Warwick, but this version actually charted a little higher.
Until next time...
Friday, September 19, 2014
Three for the Ride: Aimee Mann, Led Zeppelin, The Eric Gales Band
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Aimee Mann: "I Should've Known"
Formerly of 'Til Tuesday fame ("Voices Carry"), lead singer Aimee Mann has gone on to a solo singer/songwriter career that has led to her songs appearing in movies like Magnolia, Jerry Maguire and on the cult t.v. hit Buffy the Vampire Slayer. In a word, she's fabulous. I love her music. Great songs, great lyrics, great hooks, and a great voice. This song is the opening track from her first solo record, 1993's Whatever. The production on it is killer. If you listen to this and don't fall in love with her stuff... I've added a link to the original video, which I can't embed here ;(
Here's a link to a video of the song as it should be heard!
The only version I could find on YouTube that wasn't corrupted was a live version from the Jules Holland show- the band's a little flat on this one, so listen to the other version, if you can.
Led Zeppelin: "Bring it on Home"
Yeah, I've done Zeppelin recently. But this is such a great song. and can you ever really do too much Zeppelin? I didn't think so. The intro and outro is based on the 1964 Sonny Boy Williamson version of the song Wille Dixon wrote, but the rest is all Page and Plant. When the band comes in at 1:43, it just doesn't get any better and John Bonham's drums on this song are crazy. Tied for my favorite track on 1969's Led Zeppelin II, I give you...
The Eric Gales Band: "I Want You (She's So Heavy)"
I was standing around waiting for King's X to take the stage in Tempe, AZ, listening to what their sound man was playing on the sound system, when I heard Eric for the first time. It is rare that I will go out of my way to find out who an artist is. His guitar playing is incredible. I have since seen him live and can tell you, the dude is the real deal. He does a Hendrix tribute that will leave you amazed. He's also teamed up with King's X's Dug Pinnick recently in Pinnick, Gales, Pridgen. This cover of the Beatle's song is from 1993's Picture of a Thousand Faces. Just listen to the guitar work.
Until next time...
Here's what I heard this morning:
Aimee Mann: "I Should've Known"
Formerly of 'Til Tuesday fame ("Voices Carry"), lead singer Aimee Mann has gone on to a solo singer/songwriter career that has led to her songs appearing in movies like Magnolia, Jerry Maguire and on the cult t.v. hit Buffy the Vampire Slayer. In a word, she's fabulous. I love her music. Great songs, great lyrics, great hooks, and a great voice. This song is the opening track from her first solo record, 1993's Whatever. The production on it is killer. If you listen to this and don't fall in love with her stuff... I've added a link to the original video, which I can't embed here ;(
Here's a link to a video of the song as it should be heard!
The only version I could find on YouTube that wasn't corrupted was a live version from the Jules Holland show- the band's a little flat on this one, so listen to the other version, if you can.
Led Zeppelin: "Bring it on Home"
Yeah, I've done Zeppelin recently. But this is such a great song. and can you ever really do too much Zeppelin? I didn't think so. The intro and outro is based on the 1964 Sonny Boy Williamson version of the song Wille Dixon wrote, but the rest is all Page and Plant. When the band comes in at 1:43, it just doesn't get any better and John Bonham's drums on this song are crazy. Tied for my favorite track on 1969's Led Zeppelin II, I give you...
The Eric Gales Band: "I Want You (She's So Heavy)"
I was standing around waiting for King's X to take the stage in Tempe, AZ, listening to what their sound man was playing on the sound system, when I heard Eric for the first time. It is rare that I will go out of my way to find out who an artist is. His guitar playing is incredible. I have since seen him live and can tell you, the dude is the real deal. He does a Hendrix tribute that will leave you amazed. He's also teamed up with King's X's Dug Pinnick recently in Pinnick, Gales, Pridgen. This cover of the Beatle's song is from 1993's Picture of a Thousand Faces. Just listen to the guitar work.
Until next time...
Thursday, September 18, 2014
Three for the Ride: Dire Straits. Black Sabbath, Supershine
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Dire Straits: "Telegraph Road"
Most albums I buy, I recall the circumstances. 1982's Love Over Gold is one of those records that I just don't know how I came across it. But I'm glad that I did. "Telegraph Road" is a 14-minute long masterpiece that is, IMHO, Dire Straits's best work. It never gets radio play, so if you've never had the record, you've probably never heard the song. The kinda hokey "Industrial Disease is the only single from the album to chart in the U.S. "Telegraph Road" is an epic, moody piece, best listened to in solitude with headphones. I liken it to being Dire Straits's "Stairway to Heaven", "Freebird", or "Jungleland".
Black Sabbath: "Neon Knights"
Ozzie Osbourne left Black Sabbath in 1979 and was replaced by the now-late Ronnie James Dio. That following year, 1980, the band recorded and released their first-ever album without Ozzie, Heaven and Hell. This song, cowritten by Dio, was the opening track and the first time anyone had heard the new Sabbath sound. I bought the album immediately after hearing the song on the radio.
Supershine: "Take Me Away"
Guitarist Bruce Franklin teamed up with bassist and vocalist Dug Pinnick of King's X in 2000 to release the self-titled Supershine. It's heavy riff-driven rock reminiscent of Black Sabbath and Grand Funk Railroad. As one reviewer on Amazon put it, "it generally makes you want to get into powerful American cars and drive fast with the radio blaring." Which, oddly enough, is exactly how I initially listened to this record, driving my Mustang GT convertible across the Arizona desert. This link is to the entire album, but the first track is "Take Me Away." So, listen to as much as you like, but at least listen to the first track.
Until next time...
Here's what I heard this morning:
Dire Straits: "Telegraph Road"
Most albums I buy, I recall the circumstances. 1982's Love Over Gold is one of those records that I just don't know how I came across it. But I'm glad that I did. "Telegraph Road" is a 14-minute long masterpiece that is, IMHO, Dire Straits's best work. It never gets radio play, so if you've never had the record, you've probably never heard the song. The kinda hokey "Industrial Disease is the only single from the album to chart in the U.S. "Telegraph Road" is an epic, moody piece, best listened to in solitude with headphones. I liken it to being Dire Straits's "Stairway to Heaven", "Freebird", or "Jungleland".
Black Sabbath: "Neon Knights"
Ozzie Osbourne left Black Sabbath in 1979 and was replaced by the now-late Ronnie James Dio. That following year, 1980, the band recorded and released their first-ever album without Ozzie, Heaven and Hell. This song, cowritten by Dio, was the opening track and the first time anyone had heard the new Sabbath sound. I bought the album immediately after hearing the song on the radio.
Supershine: "Take Me Away"
Guitarist Bruce Franklin teamed up with bassist and vocalist Dug Pinnick of King's X in 2000 to release the self-titled Supershine. It's heavy riff-driven rock reminiscent of Black Sabbath and Grand Funk Railroad. As one reviewer on Amazon put it, "it generally makes you want to get into powerful American cars and drive fast with the radio blaring." Which, oddly enough, is exactly how I initially listened to this record, driving my Mustang GT convertible across the Arizona desert. This link is to the entire album, but the first track is "Take Me Away." So, listen to as much as you like, but at least listen to the first track.
Until next time...
Wednesday, September 17, 2014
Three for the Train: Chicago, Boston, Aerosmith
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Chicago: "I'm a Man"
1969 saw the release of Chicago Transit Authority the self-titled debut album of the band that would simply be called Chicago. This track is a cover of the Steve Winwood and Jimmy Miller composition featuring Terry Kath, Pete Cetera, and Robert Mann, alternating on lead vocals (in that order). You know, most bands would kill for one great vocalist. To think that all three of those guys were in the same act is scary. The song also features Terry Kath's smoking guitar work, and a percussion break featuring drummer Danny Seraphine. Terey Kath is one of the most under-rated and forgotten guitarists who absolutely kills it. Amazing. I know that Chicago would eventually become an easy-listening hit machine, but they started out as a smoking rock band with a killer horn section. This album is my favorite of theirs by far and this song really represents that earlier sound.
Boston: "Peace of Mind"
I swear, it's a coincidence. And no, Kansas isn't the third track today.
1976 was a great year for music. In addition to all the great albums released that year, there were several new acts to show up on the scene, including Ramones, Heart, The Runaways, Tom Petty, and this band, Boston, led by studio technician and guitar genius Tom Scholz. The amazing vocals were provided by the late Brad Delp. This is just one of the many great songs from their debut album, Boston. Boy, these lyrics are convicting:
"Now you're climbin' to the top of the company ladder
Hope it doesn't take too long
Can'tcha you see there'll come a day when it won't matter
Come a day when you'll be gone..."
Ironic.
Aerosmith: "Last Child"
Speaking of great albums from 1976, Rocks is Aerosmith's 4th record and this was the first single from that record, written by Brad Whitford and Steven Tyler. Rocks could be my favorite Aerosmith record, though it's hard to say, because the previous two releases, Get Your Winds and Toys in the Attic along with Rocks make up the perfect Aerosmith trifecta. All three were produced by Jack Douglas, who also worked with The James Gang, Alice Cooper, Cheap Trick, and John Lennon. This is a funky little rock thing with a great hook and great
Until next time...
Here's what I heard this morning:
Chicago: "I'm a Man"
1969 saw the release of Chicago Transit Authority the self-titled debut album of the band that would simply be called Chicago. This track is a cover of the Steve Winwood and Jimmy Miller composition featuring Terry Kath, Pete Cetera, and Robert Mann, alternating on lead vocals (in that order). You know, most bands would kill for one great vocalist. To think that all three of those guys were in the same act is scary. The song also features Terry Kath's smoking guitar work, and a percussion break featuring drummer Danny Seraphine. Terey Kath is one of the most under-rated and forgotten guitarists who absolutely kills it. Amazing. I know that Chicago would eventually become an easy-listening hit machine, but they started out as a smoking rock band with a killer horn section. This album is my favorite of theirs by far and this song really represents that earlier sound.
Boston: "Peace of Mind"
I swear, it's a coincidence. And no, Kansas isn't the third track today.
1976 was a great year for music. In addition to all the great albums released that year, there were several new acts to show up on the scene, including Ramones, Heart, The Runaways, Tom Petty, and this band, Boston, led by studio technician and guitar genius Tom Scholz. The amazing vocals were provided by the late Brad Delp. This is just one of the many great songs from their debut album, Boston. Boy, these lyrics are convicting:
"Now you're climbin' to the top of the company ladder
Hope it doesn't take too long
Can'tcha you see there'll come a day when it won't matter
Come a day when you'll be gone..."
Ironic.
Aerosmith: "Last Child"
Speaking of great albums from 1976, Rocks is Aerosmith's 4th record and this was the first single from that record, written by Brad Whitford and Steven Tyler. Rocks could be my favorite Aerosmith record, though it's hard to say, because the previous two releases, Get Your Winds and Toys in the Attic along with Rocks make up the perfect Aerosmith trifecta. All three were produced by Jack Douglas, who also worked with The James Gang, Alice Cooper, Cheap Trick, and John Lennon. This is a funky little rock thing with a great hook and great
Until next time...
Tuesday, September 16, 2014
Three for the Ride: Roy Budd, The Rings, Queen
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Roy Budd: "Main Theme - Carter Takes A Train"
From the Get Carter Original Motion Picture Soundtrack, released in 1971, Roy Budd created this masterful mood piece that was the title track for the movie of the same name, starring Michael Caine. The piece is somewhat faithfully reproduced by Tyler Bates for the 2000 remake. There is some great music from the remake as well, including Moby's "Memory Gospel." I recommend both soundtracks. Here's the main theme from the original:
The Rings: "Talk Back"
A dear friend turned me onto these guys around 1984 or '85. They were another band from Boston around the same time as The Cars. You can even hear some similarities. Anyhow, 1981's Rhythm Method became one of my favorite records at the time, and remains so. Every once in a while, my friend sends me a newer copy of the record on updated media to ensure I am never without it. Of course, now it's on iTunes. I think it's some of the best pop from the 80's.
Queen: "It's Late"
I admit it, I'm cheating here. I didn't hear this song this morning. I heard a different Queen song. But a friend reminded me of this track the other day and I can't get it out of my head. What a great song. In my mind it's the best track from 1977's News of the World. The sincerity with which it's delivered - the amazing backing vocals that explode into the first chorus - the band's intensity. It just rocks. Here's a bit of trivia- the guitar solo features Brian May using a "tapping" technique before Eddie Van Halen made if famous just months later.
Until next time...
Here's what I heard this morning:
Roy Budd: "Main Theme - Carter Takes A Train"
From the Get Carter Original Motion Picture Soundtrack, released in 1971, Roy Budd created this masterful mood piece that was the title track for the movie of the same name, starring Michael Caine. The piece is somewhat faithfully reproduced by Tyler Bates for the 2000 remake. There is some great music from the remake as well, including Moby's "Memory Gospel." I recommend both soundtracks. Here's the main theme from the original:
The Rings: "Talk Back"
A dear friend turned me onto these guys around 1984 or '85. They were another band from Boston around the same time as The Cars. You can even hear some similarities. Anyhow, 1981's Rhythm Method became one of my favorite records at the time, and remains so. Every once in a while, my friend sends me a newer copy of the record on updated media to ensure I am never without it. Of course, now it's on iTunes. I think it's some of the best pop from the 80's.
Queen: "It's Late"
I admit it, I'm cheating here. I didn't hear this song this morning. I heard a different Queen song. But a friend reminded me of this track the other day and I can't get it out of my head. What a great song. In my mind it's the best track from 1977's News of the World. The sincerity with which it's delivered - the amazing backing vocals that explode into the first chorus - the band's intensity. It just rocks. Here's a bit of trivia- the guitar solo features Brian May using a "tapping" technique before Eddie Van Halen made if famous just months later.
Until next time...
Monday, September 15, 2014
Three for the Ride: Cult, The Police, Jellyfish
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Cult: "She Sells Sanctuary"
Cult's second album, Love, was released in late 1985. The first time I heard this song, I ran out to get the CD. Then, I listened to this song over and over again. I love power trios (guitar, bass, drums). Billy Duffy's guitar work on this song is just epic. Just listen to the guitars. The video features vocalist Ian Astbury doing his very best Jim Morrison impression.
The Police: "Bed's Too Big Without You"
1979's Reggatta de Blanc (White Reggae) is The Police's second record. It is my second favorite record of theirs, their debut, Outlandos d'Amour being my favorite. They became a somewhat different band after this record. The raw, high-energy sound of the three-piece gave way to the more-polished, high-production radio hits, like "Don't Stand So Close to Me". This record, though, keeps that simple, bare-bones, stripped-down sound that was so refreshing when they first appeared on the scene.
Jellyfish: "Brighter Day"
I guess it's a second album kind of day. 1993's Spilt Milk was the follow up to Jellyfish's amazing debut, Bellybutton. And what a follow up. I actually prefer this record. Andy Sturmer, frontman and drummer (yeah, that's an odd one) has such a great voice and is an amazing writer. Their stuff captures everything that was great about 70's power-pop and makes it better. Think Raspberries, Harry Nilsson, McCartney, and Queen and you start to get the idea. I was fortunate to have seen them live before they disbanded. This is the last track of of what would be their last studio album ;) Sometimes, the really great stuff just goes over most people's heads.
Until next time...
Here's what I heard this morning:
Cult: "She Sells Sanctuary"
Cult's second album, Love, was released in late 1985. The first time I heard this song, I ran out to get the CD. Then, I listened to this song over and over again. I love power trios (guitar, bass, drums). Billy Duffy's guitar work on this song is just epic. Just listen to the guitars. The video features vocalist Ian Astbury doing his very best Jim Morrison impression.
The Police: "Bed's Too Big Without You"
1979's Reggatta de Blanc (White Reggae) is The Police's second record. It is my second favorite record of theirs, their debut, Outlandos d'Amour being my favorite. They became a somewhat different band after this record. The raw, high-energy sound of the three-piece gave way to the more-polished, high-production radio hits, like "Don't Stand So Close to Me". This record, though, keeps that simple, bare-bones, stripped-down sound that was so refreshing when they first appeared on the scene.
Jellyfish: "Brighter Day"
I guess it's a second album kind of day. 1993's Spilt Milk was the follow up to Jellyfish's amazing debut, Bellybutton. And what a follow up. I actually prefer this record. Andy Sturmer, frontman and drummer (yeah, that's an odd one) has such a great voice and is an amazing writer. Their stuff captures everything that was great about 70's power-pop and makes it better. Think Raspberries, Harry Nilsson, McCartney, and Queen and you start to get the idea. I was fortunate to have seen them live before they disbanded. This is the last track of of what would be their last studio album ;) Sometimes, the really great stuff just goes over most people's heads.
Until next time...
Friday, September 5, 2014
Three for the Ride: Styx, Alice Cooper, Prince
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Styx: "Pieces of Eight"
I might be one of the only people alive who turn the radio station when "Come, Sail Away" is played. I think the only song I hate more than that is Styx's "Babe." So, I can't tell you how or why I ended up with a copy of Pieces of Eight (1978) except that it must have been through one of those damned record clubs. That said, I love this record and I think it stands out in Styx's catalog. Dennis DeYoung is the band's primary singer, yet oddly, my favorite songs on this record are the ones that Tommy Shaw or James Young sing. That said, this song, sung by Dennis DeYoung may not be my favorite song on the record, but it's close. And I also like "I'm O.K.", another of DeYoung's tracks on the record.
Alice Cooper: "The Awakening"
In 1975, Alice Cooper released Welcome to My Nightmare, a masterpiece produced by Bob Ezrin. This is one of my favorite tracks on it. I have no idea what the song is about. It's so dark and so beautiful at the same time. I love the range it shows in Alice's voice and the sound of the piano and the guitars. It's a short one, but a great one. By the way, ignore the video and listen to the song.
Prince: "When Doves Cry"
Purple Rain was released in 1984 as the soundtrack for the movie of the same name. There were a lot of hits on that record, and Prince had finally broken through into the mainstream. This was the first single from that record and it was #1 on every relevant US chart, including Billboard's Hot 100. Rolling Stone eventually listed the song as #52 of The 500 Greatest Songs of All Time. I dont' know that I'd go THAT far, but I like it.
Unfortunately, Prince's stuff isn't as readily available. (In other words, it's not on YouTube.) But, here's a link to the video
Until next time...
Here's what I heard this morning:
Styx: "Pieces of Eight"
I might be one of the only people alive who turn the radio station when "Come, Sail Away" is played. I think the only song I hate more than that is Styx's "Babe." So, I can't tell you how or why I ended up with a copy of Pieces of Eight (1978) except that it must have been through one of those damned record clubs. That said, I love this record and I think it stands out in Styx's catalog. Dennis DeYoung is the band's primary singer, yet oddly, my favorite songs on this record are the ones that Tommy Shaw or James Young sing. That said, this song, sung by Dennis DeYoung may not be my favorite song on the record, but it's close. And I also like "I'm O.K.", another of DeYoung's tracks on the record.
Alice Cooper: "The Awakening"
In 1975, Alice Cooper released Welcome to My Nightmare, a masterpiece produced by Bob Ezrin. This is one of my favorite tracks on it. I have no idea what the song is about. It's so dark and so beautiful at the same time. I love the range it shows in Alice's voice and the sound of the piano and the guitars. It's a short one, but a great one. By the way, ignore the video and listen to the song.
Prince: "When Doves Cry"
Purple Rain was released in 1984 as the soundtrack for the movie of the same name. There were a lot of hits on that record, and Prince had finally broken through into the mainstream. This was the first single from that record and it was #1 on every relevant US chart, including Billboard's Hot 100. Rolling Stone eventually listed the song as #52 of The 500 Greatest Songs of All Time. I dont' know that I'd go THAT far, but I like it.
Unfortunately, Prince's stuff isn't as readily available. (In other words, it's not on YouTube.) But, here's a link to the video
Until next time...
Thursday, September 4, 2014
Three for the Ride: Creed, The Heavy, Velvet Revolver
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Creed: "Faceless Man"
In the summer of 2000, I decided to drive into the desert in a rental car. I left Phoenix on an early Saturday morning after stopping at the K-Mart to buy water, and extra t-shirt, and music for the road. One CD I bought was Creed's Human Clay (1999). I drove to Winslow via the back roads and then west to Cameron, AZ where I spent the night at the trading post there, right on the edge of the Colorado River gorge. I drove he next morning along the east entrance into the Grand Canyon and then back to Phoenix that afternoon. It was a spiritual experience as much as anything else. I love Arizona. So, the connection I have to some of these songs is deeper than casual. This one in particular is pretty special to me. Scott Stapp's lyrics resonate with me on a deep level.
The Heavy: "No Time"
There's not a lot of new music that makes it into my rotation. I'm an old guy and I like old school rock and roll. That said, once in a while something comes along that makes me perk up and on even rarer occasions, some new music makes it into my collection. The House That Dirt Built (2009) is one of those special records that is new, but seriously old school. Their Wikipedia page describes The Heavy as a band from Bath, England, that plays a mix of guitar-heavy, neo-soul and rock with crunchy guitars, funky horns, and raspy James Brown-like vocals. 'Nuff said. Welcome to the collection boys.
Velvet Revolver: "Mary Mary"
Everything I love about Scott Weiland. There it is. His vocals on this are amazing, demonstrating the full range and dynamic of his vocal styles. This song has his writing style stamped all over it and the band is killing it. It's a perfect blend between hard rock and pop, which, when done right, will always win me over. The groove is infections and the harmonies, etc. are chilling. Also, props to Slash, who sounds like a different guitar player with Velvet Revolver than he did with GnR, a band I ever clicked with. He has earned my respect as a worthy player. How often does the super group idea actually work? It certainly does here. From 2007's Libertad...
Until next time...
Here's what I heard this morning:
Creed: "Faceless Man"
In the summer of 2000, I decided to drive into the desert in a rental car. I left Phoenix on an early Saturday morning after stopping at the K-Mart to buy water, and extra t-shirt, and music for the road. One CD I bought was Creed's Human Clay (1999). I drove to Winslow via the back roads and then west to Cameron, AZ where I spent the night at the trading post there, right on the edge of the Colorado River gorge. I drove he next morning along the east entrance into the Grand Canyon and then back to Phoenix that afternoon. It was a spiritual experience as much as anything else. I love Arizona. So, the connection I have to some of these songs is deeper than casual. This one in particular is pretty special to me. Scott Stapp's lyrics resonate with me on a deep level.
The Heavy: "No Time"
There's not a lot of new music that makes it into my rotation. I'm an old guy and I like old school rock and roll. That said, once in a while something comes along that makes me perk up and on even rarer occasions, some new music makes it into my collection. The House That Dirt Built (2009) is one of those special records that is new, but seriously old school. Their Wikipedia page describes The Heavy as a band from Bath, England, that plays a mix of guitar-heavy, neo-soul and rock with crunchy guitars, funky horns, and raspy James Brown-like vocals. 'Nuff said. Welcome to the collection boys.
Velvet Revolver: "Mary Mary"
Everything I love about Scott Weiland. There it is. His vocals on this are amazing, demonstrating the full range and dynamic of his vocal styles. This song has his writing style stamped all over it and the band is killing it. It's a perfect blend between hard rock and pop, which, when done right, will always win me over. The groove is infections and the harmonies, etc. are chilling. Also, props to Slash, who sounds like a different guitar player with Velvet Revolver than he did with GnR, a band I ever clicked with. He has earned my respect as a worthy player. How often does the super group idea actually work? It certainly does here. From 2007's Libertad...
Until next time...
Wednesday, September 3, 2014
Three for the Ride: Def Leppard, Smashing Pumpkins, Grand Funk Railroad
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Def Leppard: "Rock Rock (Till You Drop)"
Yeah, this is as base as it gets in Rock and Roll. "Rock Rock, Till You Drop." That just about says it all. No intellectualism wasted on those lyrics. I remember when I heard Def Leppard for the first time in 1983, when their debut album Pyromania was released. I thought they were AC/DC. No surprise there, since producer Mutt Lange had produced two of AC/DC's records, previously. Then, of course, I heard "Photograph." That song alone was worth the price of the record. As silly and rudimentary as this song is, I love the arpeggiated guitar part in the opening.
Smashing Pumpkins: "Hummer"
Siamese Dream was released in 1993 and Smashing Pumpkins instantly went from being a strange little alternative rock act from Chicago to a mainstream rock act; Billy Corgan was now an important songwriter and new creative influence for the next generation. Siamese Dream is a heavy, rich, guitar-layered album and "Hummer" is a great piece from that recording. I love the production on this album, too. It's produced by Butch Vig, who would also go on to produce Nirvana's Nevermind, and be a founding member of Garbage (drummer). The drums sound GREAT on this record.
Grand Funk Railroad: "Footstompin' Music (Live)"
Caught in the Act was the double-LP live record released by Grand Funk RailRoad in 1975. IMHO, it is one of the best live records ever released. The opening track is an amazing version of this song that features frontman Mark Farner doing his own call and response with his voice and guitar that is impressive to say the least. The energy these guys have on stage is incredible. The version of "Inside Looking Out" that opens the fourth side of this record is one of the best live songs I've heard. This video is not the same version as that which appears on the album, but it's close enough. GFR is one of those oft-forgotten bands that really were a staple of the 70's rock scene.
Until next time...
Here's what I heard this morning:
Def Leppard: "Rock Rock (Till You Drop)"
Yeah, this is as base as it gets in Rock and Roll. "Rock Rock, Till You Drop." That just about says it all. No intellectualism wasted on those lyrics. I remember when I heard Def Leppard for the first time in 1983, when their debut album Pyromania was released. I thought they were AC/DC. No surprise there, since producer Mutt Lange had produced two of AC/DC's records, previously. Then, of course, I heard "Photograph." That song alone was worth the price of the record. As silly and rudimentary as this song is, I love the arpeggiated guitar part in the opening.
Smashing Pumpkins: "Hummer"
Siamese Dream was released in 1993 and Smashing Pumpkins instantly went from being a strange little alternative rock act from Chicago to a mainstream rock act; Billy Corgan was now an important songwriter and new creative influence for the next generation. Siamese Dream is a heavy, rich, guitar-layered album and "Hummer" is a great piece from that recording. I love the production on this album, too. It's produced by Butch Vig, who would also go on to produce Nirvana's Nevermind, and be a founding member of Garbage (drummer). The drums sound GREAT on this record.
Grand Funk Railroad: "Footstompin' Music (Live)"
Caught in the Act was the double-LP live record released by Grand Funk RailRoad in 1975. IMHO, it is one of the best live records ever released. The opening track is an amazing version of this song that features frontman Mark Farner doing his own call and response with his voice and guitar that is impressive to say the least. The energy these guys have on stage is incredible. The version of "Inside Looking Out" that opens the fourth side of this record is one of the best live songs I've heard. This video is not the same version as that which appears on the album, but it's close enough. GFR is one of those oft-forgotten bands that really were a staple of the 70's rock scene.
Until next time...
Tuesday, September 2, 2014
Three for the Road: The Beatles, Weezer, Queen Electric
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
The Beatles: "I, Me, Mine"
The song was originally released on 1970's Let It Be. It was one of two George Harrison compositions on that record, the other being "For You Blue." This is the version from 2003's Let It Be: Naked. Ironically, it is supposedly the last song the Beatles recorded together, with Lennon in absentia. This version is sans the strings and brass that Phil Spector had layered on at a later date for the original 1970 release. I really love the acoustic guitar you can hear in the background during the verses, and the classic Beatles' background vocals, that almost seem to mock the "beep-beep-n-beep-beep, yeah!" from "Drive My Car."
Weezer: "Undone - The Sweater Song"
I am a late comer to Weezer. That said, I think the 1994 Blue Album is fantastic. There were three top-ten U.S. Rock chart hits, though this is the only one that broke the Billboard Hot 100. It's a crazy, little, non-sensical song that makes me recall my college and clubbing days. Oddly enough, some of those people I used to hang with still live that lifestyle. Oh well. Here's "Undone..."
Queen Electric: "Gonna Let You Down"
Scot Steven, singer, songwriter, guitarist, heads up this three-piece blues rock outfit. I saw them open for The Tubes in 2012 at the Sellersville Theater. I thought their stuff was catchy and I bought their self-titled 2011 release in the lobby after the show. I don't know anything else about them. I THOUGHT I did, but what I thought I knew I was unable to verify. If I am able to verify my suspicions, then I will update this blog with something more about them. If any of you reading knows anything about them, please let me know!
Until next time...
Here's what I heard this morning:
The Beatles: "I, Me, Mine"
The song was originally released on 1970's Let It Be. It was one of two George Harrison compositions on that record, the other being "For You Blue." This is the version from 2003's Let It Be: Naked. Ironically, it is supposedly the last song the Beatles recorded together, with Lennon in absentia. This version is sans the strings and brass that Phil Spector had layered on at a later date for the original 1970 release. I really love the acoustic guitar you can hear in the background during the verses, and the classic Beatles' background vocals, that almost seem to mock the "beep-beep-n-beep-beep, yeah!" from "Drive My Car."
Weezer: "Undone - The Sweater Song"
I am a late comer to Weezer. That said, I think the 1994 Blue Album is fantastic. There were three top-ten U.S. Rock chart hits, though this is the only one that broke the Billboard Hot 100. It's a crazy, little, non-sensical song that makes me recall my college and clubbing days. Oddly enough, some of those people I used to hang with still live that lifestyle. Oh well. Here's "Undone..."
Queen Electric: "Gonna Let You Down"
Scot Steven, singer, songwriter, guitarist, heads up this three-piece blues rock outfit. I saw them open for The Tubes in 2012 at the Sellersville Theater. I thought their stuff was catchy and I bought their self-titled 2011 release in the lobby after the show. I don't know anything else about them. I THOUGHT I did, but what I thought I knew I was unable to verify. If I am able to verify my suspicions, then I will update this blog with something more about them. If any of you reading knows anything about them, please let me know!
Until next time...
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