Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
ZZ top: "Jesus Just Left Chicago"
Billy Gibbons is one of the most under-rated guitarist out there. The guy is amazing. And I love his voice, too. I was listening to a Joe Bonamassa Podcast, recently, and he called out the guitar solo in this song as one of Billy's five best, ever. I have to agree. I am such a huge fan of the band's first era of Texas blues-heavy records such as Fandango, Degüello, and the masteriece this song is from, 1973's Tres Hombres.
U2: "Red Hill Mining Town"
1987's Joshua Tree is an amazing record. With 25 million records sold, it is, by far, U2's biggest-selling album. U2 was at the very top of their game. It's hard to pick a favorite song on the album. This is definitely one of mine. I love the melody, the progression, and of course, Bono's vocal on this track. I also really like Edge's multiple guitar parts on this song, particularly the sliding one-note part in the background of the verses.
Tonic: "Knock Down Walls"
Tonic had a couple of respectable hits on the US Mainstream Rock chart in the late 90's with "If You Could Only See," and "You Wanted More." This song is off their second studio album, Sugar, released in 1999. One critic once described their music as being full of "heavy, distortion-laden guitars." Heck yeah!
Until next time...
Friday, August 29, 2014
Thursday, August 28, 2014
Three for the Ride: A Girl Called Eddy, Donnie Iris, Jimi Hendrix Experience
Some days, I take the train to work. Other days, I drive. Either way, I listen to music on the way. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really wish the world could appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
A Girl Called Eddy: "Life Through the Same Lens"
In 2004, A Girl Called Eddy, a.k.a. Erin Moran, released her self-titled debut A Girl Called Eddy. It reached the #1 spot on Amazon's customer favorites list for that year. She's got a great, smooth voice, reminiscent of Aimee Mann and Suzanne Vega at times. IMO, this particular track has a very Parisian feel to it.
Donnie Iris: "Back on the Streets"
From 1980’s Back on the Streets, this is another one of so many great pop-rock tracks that appear on Donnie Iris's debut record. Donnie, formerly of Jaggerz and Wild Cherry, put out several albums with The Cruisers during the early eighties. He's a strange cat, kind of working the Buddy Holly look, and perhaps didn't get a lot of well-deserved attention because of it. This album is so great and has such a collection of great 80's pop-rock compositions. He should have had more hits off the record than just "Ah, Leah!" Check out the lyrics in this killer song and the huge orchestration and production on it.
Jimi Hendrix: "I Don't Live Today"
In 1967, the Jimi Hendrix Experience released their debut album, Are You Experienced? It's littered with hits, including "Purple Haze," "Manic Depression," "Hey Joe," "The Wind Cries Mary," "Fire," "Foxy Lady,"and the title track, "Are You Experienced?" But right there at the end of side one is this unknown gem that reminds me a lot of the Beatles' "Tomorrow Never Knows" (mostly because of Mitch Mitchell's all too familiar drum beat). It's also got some great guitar multi-tracking going on at the end. It's also got a bit of an American Indian theme going on in the guitars. Hendrix, part Cherokee, dedicated the song to Native Americans. Definitely not one of Hendrix's more well-known works.
Until next time...
Here's what I heard this morning:
A Girl Called Eddy: "Life Through the Same Lens"
In 2004, A Girl Called Eddy, a.k.a. Erin Moran, released her self-titled debut A Girl Called Eddy. It reached the #1 spot on Amazon's customer favorites list for that year. She's got a great, smooth voice, reminiscent of Aimee Mann and Suzanne Vega at times. IMO, this particular track has a very Parisian feel to it.
Donnie Iris: "Back on the Streets"
From 1980’s Back on the Streets, this is another one of so many great pop-rock tracks that appear on Donnie Iris's debut record. Donnie, formerly of Jaggerz and Wild Cherry, put out several albums with The Cruisers during the early eighties. He's a strange cat, kind of working the Buddy Holly look, and perhaps didn't get a lot of well-deserved attention because of it. This album is so great and has such a collection of great 80's pop-rock compositions. He should have had more hits off the record than just "Ah, Leah!" Check out the lyrics in this killer song and the huge orchestration and production on it.
Jimi Hendrix: "I Don't Live Today"
In 1967, the Jimi Hendrix Experience released their debut album, Are You Experienced? It's littered with hits, including "Purple Haze," "Manic Depression," "Hey Joe," "The Wind Cries Mary," "Fire," "Foxy Lady,"and the title track, "Are You Experienced?" But right there at the end of side one is this unknown gem that reminds me a lot of the Beatles' "Tomorrow Never Knows" (mostly because of Mitch Mitchell's all too familiar drum beat). It's also got some great guitar multi-tracking going on at the end. It's also got a bit of an American Indian theme going on in the guitars. Hendrix, part Cherokee, dedicated the song to Native Americans. Definitely not one of Hendrix's more well-known works.
Until next time...
Wednesday, August 27, 2014
Three for the Ride: Collective Soul, Bruce Springsteen, King's X
Some days, I take the train, others I drive. Either way, I listen to music. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Collective Soul: "The World I Know"
Ed Roland, the band's frontman and primary writer has a great song-writing ability and a unique voice. Without a doubt, this is my favorite track from their catalog. It's a beautiful song. I love the string arrangement and the lyrics really resonate with me.
So I walk up on high and I step to the edge to see my world below.
And I laugh at myself while the tears roll down 'cause it's the world I know.
This is from the band's second studio album, 1995's self-titled Collective Soul, sometimes referred to as The Blue Album.
Bruce Springsteen: "She's the One"
I hated Bruce when I was younger. I just didn't get it. Then, late one night, when I was feeling particularly desperate, I heard "Jungleland". That changed everything. It clicked. Born to Run (1976) is one of my favorite albums and this song captures everything about Bruce's music at the time: Relentless. Desperate. Passionate.
King's X: "Goldilox"
I know. I said I would try to not repeat an artist too often. But when this song showed up on the playlist this morning I couldn't help myself. This is why I love King's X so much. This song. I'll never forget the first time I heard it. I'd never heard anything like it. I've never heard anything like it since. If you asked me what my favorite song was, I'd be likely to tell you, "Goldilox". This captures everything that's great about the band: Amazing guitar textures, Doug Pinnick's soulful vocals, the drop-tuned guitars, the suspended chords in the bridge, killer Beatle-esque harmonies, and a lyric that cuts through to your heart. "I watch you from a mile away... I've got to know your name."
Sigh. "Goldilox" is from the band's 1988 debut, Out of the Silent Planet.
Until next time...
Here's what I heard this morning:
Collective Soul: "The World I Know"
Ed Roland, the band's frontman and primary writer has a great song-writing ability and a unique voice. Without a doubt, this is my favorite track from their catalog. It's a beautiful song. I love the string arrangement and the lyrics really resonate with me.
So I walk up on high and I step to the edge to see my world below.
And I laugh at myself while the tears roll down 'cause it's the world I know.
This is from the band's second studio album, 1995's self-titled Collective Soul, sometimes referred to as The Blue Album.
Bruce Springsteen: "She's the One"
I hated Bruce when I was younger. I just didn't get it. Then, late one night, when I was feeling particularly desperate, I heard "Jungleland". That changed everything. It clicked. Born to Run (1976) is one of my favorite albums and this song captures everything about Bruce's music at the time: Relentless. Desperate. Passionate.
King's X: "Goldilox"
I know. I said I would try to not repeat an artist too often. But when this song showed up on the playlist this morning I couldn't help myself. This is why I love King's X so much. This song. I'll never forget the first time I heard it. I'd never heard anything like it. I've never heard anything like it since. If you asked me what my favorite song was, I'd be likely to tell you, "Goldilox". This captures everything that's great about the band: Amazing guitar textures, Doug Pinnick's soulful vocals, the drop-tuned guitars, the suspended chords in the bridge, killer Beatle-esque harmonies, and a lyric that cuts through to your heart. "I watch you from a mile away... I've got to know your name."
Sigh. "Goldilox" is from the band's 1988 debut, Out of the Silent Planet.
Until next time...
Tuesday, August 26, 2014
Three for the RIde (Formerly Three From the Train) Kate Bush, Metallica, The Cars
OK, I"m changing the name. I originally picked Three from the Train as a very literal title for this blog, but it's been bugging me. So, before it gets too cemented in anyone's mind, I'm changing it to Three for the Ride. And it's not about music FROM the train. It's about music FOR you to consider.
I promise, I won't change it again.
Some days, I take the train, others I drive. Either way, I listen to music. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Kate Bush: "The Dreaming"
I discovered Kate in 1978 when she showed up on Saturday Night Live. I fell in love with her music instantly. Her voice is so unique and her sense of melody unparalleled. This is the title track from her 1982 release, The Dreaming, her fourth album, but the first that she had produced on her own. It's a very eclectic album and not very accessible to most people. If you're curious about Kate, check out her greatest hits compilation, The Whole Story and go from there. This song features a lot of Celtic rhythms and melodies.
Metallica: "Damage Inc."
In 1986, I was determined to not like Metallica because I had decided their "music" was a mere cacophony. Then I actually listened to them. When I first heard 1986's album release, Master of Puppets, I was blown away. It was brutal, but it also showed true musicality and a great lyrical sensibility. This song, in particular, was the fastest guitar playing I'd ever heard up until that point. It was hard to get my head around at first. I've come to think that Master of Puppets is an essential part of any serious music collection. Check out the intro to this song and notice the contrast with the ensuing melee.
The Cars: "Candy-O"
I confess. I didn't actually hear this particular song in the rotation this morning. I had to go out of my way to hear it. What I did hear in rotation was "Shoo Be Doo," a quirky little piece that leads right into Candy-O. My iPhone jumped on to something else when the song ended, but not following "Shoo Be Doo" with "Candy-O" is like listening to Zep's "Heartbreaker" with no "Living, Loving Maid" to follow. Can't be done. Regardless, this song is the title track from The Car's 1979 release, Candy-O. It's my favorite track on the record. I love the way Elliot Easton layers the guitar parts on top as the song progresses and Ben Orr's vocal is creepy and haunting. Here's a pretty faithful live rendition from a 1979 studio performance.
Until next time...
I promise, I won't change it again.
Some days, I take the train, others I drive. Either way, I listen to music. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Here's what I heard this morning:
Kate Bush: "The Dreaming"
I discovered Kate in 1978 when she showed up on Saturday Night Live. I fell in love with her music instantly. Her voice is so unique and her sense of melody unparalleled. This is the title track from her 1982 release, The Dreaming, her fourth album, but the first that she had produced on her own. It's a very eclectic album and not very accessible to most people. If you're curious about Kate, check out her greatest hits compilation, The Whole Story and go from there. This song features a lot of Celtic rhythms and melodies.
Metallica: "Damage Inc."
In 1986, I was determined to not like Metallica because I had decided their "music" was a mere cacophony. Then I actually listened to them. When I first heard 1986's album release, Master of Puppets, I was blown away. It was brutal, but it also showed true musicality and a great lyrical sensibility. This song, in particular, was the fastest guitar playing I'd ever heard up until that point. It was hard to get my head around at first. I've come to think that Master of Puppets is an essential part of any serious music collection. Check out the intro to this song and notice the contrast with the ensuing melee.
The Cars: "Candy-O"
I confess. I didn't actually hear this particular song in the rotation this morning. I had to go out of my way to hear it. What I did hear in rotation was "Shoo Be Doo," a quirky little piece that leads right into Candy-O. My iPhone jumped on to something else when the song ended, but not following "Shoo Be Doo" with "Candy-O" is like listening to Zep's "Heartbreaker" with no "Living, Loving Maid" to follow. Can't be done. Regardless, this song is the title track from The Car's 1979 release, Candy-O. It's my favorite track on the record. I love the way Elliot Easton layers the guitar parts on top as the song progresses and Ben Orr's vocal is creepy and haunting. Here's a pretty faithful live rendition from a 1979 studio performance.
Until next time...
Monday, August 25, 2014
Three from the train: Chris Botti, Paul Anka, Dido.
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. It's inevitable that it will happen. I own entire catalogs of certain artists (e.g. Paul McCartney), so some will show up more than others. Here's what I heard this morning:
Chris Botti: "La Belle Dame Sans Regrets"
There's something "old school" about Chris Botti, trumpeter extraordinaire, that really resonates with me. His music has integrity and a lasting quality. This track is from the 2004 release, When I Fall in Love. It features Domnic Miller and Sting who cowrote the song.
Paul Anka: "Wonderwall"
In 2005 and 2007, respectively, Paul Anka released two albums, Rock Swings and Classic Songs, My Way that were rearrangements of contemporary rock and pop songs. On Rock Swings, Anka even covered songs like Nirvana's "Smells Like Team Spirit" and Soundgarden's "Black Hole Sun". Had I heard about this ahead of time, I'd have thought the idea was ridiculous. But I was at a wedding reception when the DJ played "Black Hole Sun". I was blown away and had to know who it was. These tracks are brilliant and the arrangements, simply great. Here's Oasis's "Wonderwall":
Dido: "All You Want"
1999's No Angel has sold over 21 million copies worldwide. "Here With Me" was the opening track and became a huge hit. This little gem was buried right in the middle of the track listing and is a little less known, but is my favorite from the album. I love this record. In fact, it's the last time I fell asleep with a pair of headphones listening to an album. Funny how having kids can kill that little pleasure. (Have to keep an ear out for their mischief ;) ). I love her voice. There's something unique about it and it's so very soothing at the same time.
Until next time...
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. It's inevitable that it will happen. I own entire catalogs of certain artists (e.g. Paul McCartney), so some will show up more than others. Here's what I heard this morning:
Chris Botti: "La Belle Dame Sans Regrets"
There's something "old school" about Chris Botti, trumpeter extraordinaire, that really resonates with me. His music has integrity and a lasting quality. This track is from the 2004 release, When I Fall in Love. It features Domnic Miller and Sting who cowrote the song.
Paul Anka: "Wonderwall"
In 2005 and 2007, respectively, Paul Anka released two albums, Rock Swings and Classic Songs, My Way that were rearrangements of contemporary rock and pop songs. On Rock Swings, Anka even covered songs like Nirvana's "Smells Like Team Spirit" and Soundgarden's "Black Hole Sun". Had I heard about this ahead of time, I'd have thought the idea was ridiculous. But I was at a wedding reception when the DJ played "Black Hole Sun". I was blown away and had to know who it was. These tracks are brilliant and the arrangements, simply great. Here's Oasis's "Wonderwall":
Dido: "All You Want"
1999's No Angel has sold over 21 million copies worldwide. "Here With Me" was the opening track and became a huge hit. This little gem was buried right in the middle of the track listing and is a little less known, but is my favorite from the album. I love this record. In fact, it's the last time I fell asleep with a pair of headphones listening to an album. Funny how having kids can kill that little pleasure. (Have to keep an ear out for their mischief ;) ). I love her voice. There's something unique about it and it's so very soothing at the same time.
Until next time...
Friday, August 22, 2014
Three from the Train: Joe Bonamassa, Pearl Jam, Steely Dan
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Joe Bonamassa: "Bridge to Better Days"
Nothing quite blues rock on a Les Paul. If you haven't heard about this guy yet, get on it. The guy is in the discussion when it comes to great rock blues players, i.e. Jimmy Page, Eric Clapton, Billy Gibbons, etc. His sound is KILLER. This is from his 2006 release, You and Me which also features Carmine Rojas on bass and Jason Bonham on drums.
Pearl Jam: "Go"
I didn't get Ten. It just didn't click. And then I heard Vs. That, I got. It's a much harder, more in-you-face record than Ten. I was into that sort of music at that time: in-your-face. I was fed up with over-produced pretentious music. I needed something that hit me like a baseball bat to restore my faith that somewhere, raw, honest music still existed. This is the opening track from 1993's Vs., written by Pearl Jam's drummer, Dave Abbruzzese. You can kinda tell it was written by a drummer, can't ya?
Steely Dan: "Josie"
Cool. Slick. Funky. L.A. Smooth. Jazz. Refined. Mature. Josie. I love this track. Probably my favorite on 1977's Aja, like you can have a favorite track on such an amazing record. IMHO, Aja is Steely Dan's best work. It is such a refined and mature sound. like the band had finally arrived. Not to say that all their preceding records aren't great, too. They are. But this record gives me chills when I listen too it. And the list of players on this record reads like a who's who of Jazz-Rock (Larry Carlton, Jay Graydon, Lee Ritenour, Tom Scott, Steve Gadd, etc.).
Until next time...
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Joe Bonamassa: "Bridge to Better Days"
Nothing quite blues rock on a Les Paul. If you haven't heard about this guy yet, get on it. The guy is in the discussion when it comes to great rock blues players, i.e. Jimmy Page, Eric Clapton, Billy Gibbons, etc. His sound is KILLER. This is from his 2006 release, You and Me which also features Carmine Rojas on bass and Jason Bonham on drums.
Pearl Jam: "Go"
I didn't get Ten. It just didn't click. And then I heard Vs. That, I got. It's a much harder, more in-you-face record than Ten. I was into that sort of music at that time: in-your-face. I was fed up with over-produced pretentious music. I needed something that hit me like a baseball bat to restore my faith that somewhere, raw, honest music still existed. This is the opening track from 1993's Vs., written by Pearl Jam's drummer, Dave Abbruzzese. You can kinda tell it was written by a drummer, can't ya?
Steely Dan: "Josie"
Cool. Slick. Funky. L.A. Smooth. Jazz. Refined. Mature. Josie. I love this track. Probably my favorite on 1977's Aja, like you can have a favorite track on such an amazing record. IMHO, Aja is Steely Dan's best work. It is such a refined and mature sound. like the band had finally arrived. Not to say that all their preceding records aren't great, too. They are. But this record gives me chills when I listen too it. And the list of players on this record reads like a who's who of Jazz-Rock (Larry Carlton, Jay Graydon, Lee Ritenour, Tom Scott, Steve Gadd, etc.).
Until next time...
Thursday, August 21, 2014
Three from the Train: Army of Anyone, Devo, Rush
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Army of Anyone: "Father Figure"
The DeLeo brothers (Stone Temple Pilots) joined forces with Richard Patrick (Filter) and Ray Luzier (David Lee Roth, KXM) and formed Army of Anyone. In 2006, the band released their only album, thus far, called Army of Anyone. They had two singles, this being the second. I love this record and it's a crime that it didn't get more attention and that they didn't do more.
Devo: "Freedom of Choice"
I discovered Devo in 1976 when I heard "Mongoloid" on a compilation album that I can no longer remember the name of. I then saw their now-famous Saturday Night Live performance of The Stones's "Satisfaction" live in 1978. As weird as they want to be, their pop sensibilities still shine through on occasion. From the 1980 album of the same title...
Rush: "La Villa Strangiato"
Back in the late 70's I had such an insatiable appetite that I joined every record club I could find so I could get 13 albums at one shot for a penny. Then, once I'd fulfilled the agreement, I'd do it again. When you forget to mail back the card, though, you get the album of the month- whatever it may be. Well, 1978's Hemispheres was one of those records. I didn't know anything about Rush. This album changed that and it remains my favorite album from their catalog to this day. This song is, IMHO, THE quintessential Rush song. It just doesn't get any better or more impressive than this.
Until next time...
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Army of Anyone: "Father Figure"
The DeLeo brothers (Stone Temple Pilots) joined forces with Richard Patrick (Filter) and Ray Luzier (David Lee Roth, KXM) and formed Army of Anyone. In 2006, the band released their only album, thus far, called Army of Anyone. They had two singles, this being the second. I love this record and it's a crime that it didn't get more attention and that they didn't do more.
Devo: "Freedom of Choice"
I discovered Devo in 1976 when I heard "Mongoloid" on a compilation album that I can no longer remember the name of. I then saw their now-famous Saturday Night Live performance of The Stones's "Satisfaction" live in 1978. As weird as they want to be, their pop sensibilities still shine through on occasion. From the 1980 album of the same title...
Rush: "La Villa Strangiato"
Back in the late 70's I had such an insatiable appetite that I joined every record club I could find so I could get 13 albums at one shot for a penny. Then, once I'd fulfilled the agreement, I'd do it again. When you forget to mail back the card, though, you get the album of the month- whatever it may be. Well, 1978's Hemispheres was one of those records. I didn't know anything about Rush. This album changed that and it remains my favorite album from their catalog to this day. This song is, IMHO, THE quintessential Rush song. It just doesn't get any better or more impressive than this.
Until next time...
Wednesday, August 20, 2014
Three from the Train: Petula Clark, Sheryl Crow, Yes
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Petula Clark: "Don't Sleep in the Subway"
I love this song. It's pure and perfect pop. From 1967's These Are My Songs, this song went to number 5 on Billboard's Hot 100 and is written by Tony Hatch, the same guy who wrote "Downtown."
Sheryl Crow: "It Don't Hurt"
I may have this wrong, but I don't think Sheryl Crow gets the props she deserves as an artist or a songwriter. When I ask what people think, many say, "eh, she's o.k." Are you kidding me? She's one of the best song writers of the last 20 years. And she is so diverse. I love this track from 1998's The Globe Sessions. I love the humorous lyric and even the affectation she puts on her voice. The guitar jam on the end is great, too. (Very Mike Campbell-like.)
Yes: "Awaken"
OK, this is a long one. Clocking in at over 15 minutes, this track from 1977's Going for the One is considered by many to be Yes's best work, ever. This is classic Yes with amazing guitar work by Steve Howe (he co-wrote the piece with Anderson), some of Rick Wakeman's best keyboard work, and incredible bass parts by the unparalleled Chris Squire. Jon Anderson provides the usual weird, yet colorful lyrics and, of course, Alan White;s drumming is impressive. If you're not too familiar with Yes, but want to know what they're all about, give 15 minutes to listen to this track and you'll hear all you need to understand Yes.
Until next time...
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Petula Clark: "Don't Sleep in the Subway"
I love this song. It's pure and perfect pop. From 1967's These Are My Songs, this song went to number 5 on Billboard's Hot 100 and is written by Tony Hatch, the same guy who wrote "Downtown."
Sheryl Crow: "It Don't Hurt"
I may have this wrong, but I don't think Sheryl Crow gets the props she deserves as an artist or a songwriter. When I ask what people think, many say, "eh, she's o.k." Are you kidding me? She's one of the best song writers of the last 20 years. And she is so diverse. I love this track from 1998's The Globe Sessions. I love the humorous lyric and even the affectation she puts on her voice. The guitar jam on the end is great, too. (Very Mike Campbell-like.)
Yes: "Awaken"
OK, this is a long one. Clocking in at over 15 minutes, this track from 1977's Going for the One is considered by many to be Yes's best work, ever. This is classic Yes with amazing guitar work by Steve Howe (he co-wrote the piece with Anderson), some of Rick Wakeman's best keyboard work, and incredible bass parts by the unparalleled Chris Squire. Jon Anderson provides the usual weird, yet colorful lyrics and, of course, Alan White;s drumming is impressive. If you're not too familiar with Yes, but want to know what they're all about, give 15 minutes to listen to this track and you'll hear all you need to understand Yes.
Until next time...
Tuesday, August 19, 2014
Three from the Train: Alice Cooper, The James Gang, The Rolling Stones
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Alice Cooper: "Billion Dollar Babies"
So, I've heard a lot of Alice over the last few weeks, but some of it I am hesitant to share here. The guy can be dark. And weird. And controversial. So, here's a fairly mainstream track that seems "safe." This is the title track from 1973's Billion Dollar Babies. It's a fantastic album. Produced by genius Bob Ezrin, it features my two favorite Alice Cooper songs, "Elected" and "Hello, Hooray." Glen Buxton, Steve Hunter, and the recently-passed Dick Wagner are all on this record. On this track, Alice shared vocals with Donovan.
The James Gang: "Funk #48"
The one everybody knows, because they still play it often on classic rock stations, is "Funk #49," but "Funk #48" was released a year earlier on 1969's Yer' Album. You can hear a similarity between the two tunes and see how the band was evolving the theme. Joe Walsh is one of my favorite guitar players and this is what he was up to before he joined the Eagles in 1975. It's raw and gritty and everything I love about rock and roll.
The Rolling Stones: "I Don't Know Why aka Don't Know Why I Love You"
This track, written in part by Stevie Wonder, is from 1975's Metamorphosis, a collection of outtakes and alternate versions of well-known songs recorded from 1964 to 1970. A lot of studio musicians, i.e. Jimmy Page, play on some of these tracks instead of the Stones (though they are here), and some were intended to be recorded by other artists. I discovered this record in the cutout bin at Woolworth's when I was about 13 or 14. I love it. This is one of my favorite tracks on the record with Mick Taylor killing it on the guitar. Jimmy Miller's production of this song is great. I particularly love the horn arrangements.
Until next time...
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Alice Cooper: "Billion Dollar Babies"
So, I've heard a lot of Alice over the last few weeks, but some of it I am hesitant to share here. The guy can be dark. And weird. And controversial. So, here's a fairly mainstream track that seems "safe." This is the title track from 1973's Billion Dollar Babies. It's a fantastic album. Produced by genius Bob Ezrin, it features my two favorite Alice Cooper songs, "Elected" and "Hello, Hooray." Glen Buxton, Steve Hunter, and the recently-passed Dick Wagner are all on this record. On this track, Alice shared vocals with Donovan.
The James Gang: "Funk #48"
The one everybody knows, because they still play it often on classic rock stations, is "Funk #49," but "Funk #48" was released a year earlier on 1969's Yer' Album. You can hear a similarity between the two tunes and see how the band was evolving the theme. Joe Walsh is one of my favorite guitar players and this is what he was up to before he joined the Eagles in 1975. It's raw and gritty and everything I love about rock and roll.
The Rolling Stones: "I Don't Know Why aka Don't Know Why I Love You"
This track, written in part by Stevie Wonder, is from 1975's Metamorphosis, a collection of outtakes and alternate versions of well-known songs recorded from 1964 to 1970. A lot of studio musicians, i.e. Jimmy Page, play on some of these tracks instead of the Stones (though they are here), and some were intended to be recorded by other artists. I discovered this record in the cutout bin at Woolworth's when I was about 13 or 14. I love it. This is one of my favorite tracks on the record with Mick Taylor killing it on the guitar. Jimmy Miller's production of this song is great. I particularly love the horn arrangements.
Until next time...
Monday, August 18, 2014
Three from the Train: Supertramp, Van Halen, After Edmund
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Supertramp: "Breakfast in America"
Selling over 20 million copies, 1979's Breakfast in America was Supertramp's hugely successful follow-up to 1977's Even in the Quietest Moments. The album cover is a classic and this title track is my favorite from the album. That's saying a lot considering how much I love this album. I heard the album track, but here's a great live version:
Van Halen: "Hear About It Later "
Fair Warning (1981) is my favorite VH record. It's much darker than the rest of their stuff and I've always felt it was a more mature record. For me, they peaked on this record. I love Eddie's numerous guitar textures on this song.
After Edmund: "Clouds"
I caught this Grammy-nominated act opening for another act. I was really impressed. They opened with this track from 2008's Hello. It's one of many strong tracks on this band's debut record. They've become a favorite of mine.
Until Next Time
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Supertramp: "Breakfast in America"
Selling over 20 million copies, 1979's Breakfast in America was Supertramp's hugely successful follow-up to 1977's Even in the Quietest Moments. The album cover is a classic and this title track is my favorite from the album. That's saying a lot considering how much I love this album. I heard the album track, but here's a great live version:
Van Halen: "Hear About It Later "
Fair Warning (1981) is my favorite VH record. It's much darker than the rest of their stuff and I've always felt it was a more mature record. For me, they peaked on this record. I love Eddie's numerous guitar textures on this song.
After Edmund: "Clouds"
I caught this Grammy-nominated act opening for another act. I was really impressed. They opened with this track from 2008's Hello. It's one of many strong tracks on this band's debut record. They've become a favorite of mine.
Until Next Time
Friday, August 15, 2014
Three from the Train: Haven, Dusty Springfield, Frank Zappa
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Haven: "Beautiful Thing"
Sometimes great bands don't get the fame and fortune they deserve. Haven is one of those bands. From Cornwall, England, they were discovered in the mid-90's by the Smith's former manager. After two albums, they disbanded. Sad. This cut is from their first album released in 2002, Between the Senses. I discovered them when I bought a box of unopened CDs from a former music reviewer for an entertainment magazine in Phoenix. I love this record. It's got a Beatle-esque psychedelic pop-rock sound that sticks with you.
Dusty Springfield: "All Cried Out"
Dusty, one of the greatest female pop vocalists, ever, was a British singer who killed it in the 60's. She charted over a dozen top 20 hits in the U.K. and 5 in the us during the mid 60's. In 1999, she was inducted in the Rock and Roll Hall of Fame, shortly after her death. A lot of her stuff was written by Burt Bacharach or Carole King, two of the greatest pop writers. This song, written by Buddy Kaye and Phil Springer, was the opening track on 1964's Dusty.
Frank Zappa: "Apostrophe'"
Frank's one of the most under-appreciated guitarists of all time. Here he is playing with Jack Bruce ("fuzz" bass) on the instrumental title track from 1974's apostrophe.
Until next time...
Some mornings are tough to choose only three songs from, but I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
Haven: "Beautiful Thing"
Sometimes great bands don't get the fame and fortune they deserve. Haven is one of those bands. From Cornwall, England, they were discovered in the mid-90's by the Smith's former manager. After two albums, they disbanded. Sad. This cut is from their first album released in 2002, Between the Senses. I discovered them when I bought a box of unopened CDs from a former music reviewer for an entertainment magazine in Phoenix. I love this record. It's got a Beatle-esque psychedelic pop-rock sound that sticks with you.
Dusty Springfield: "All Cried Out"
Dusty, one of the greatest female pop vocalists, ever, was a British singer who killed it in the 60's. She charted over a dozen top 20 hits in the U.K. and 5 in the us during the mid 60's. In 1999, she was inducted in the Rock and Roll Hall of Fame, shortly after her death. A lot of her stuff was written by Burt Bacharach or Carole King, two of the greatest pop writers. This song, written by Buddy Kaye and Phil Springer, was the opening track on 1964's Dusty.
Frank Zappa: "Apostrophe'"
Frank's one of the most under-appreciated guitarists of all time. Here he is playing with Jack Bruce ("fuzz" bass) on the instrumental title track from 1974's apostrophe.
Until next time...
Thursday, August 14, 2014
Three From the Train: RXRA (Eric Serra), Switchfoot, Budos Band
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't it great?!"
This morning was another tough one to choose from. But I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
RXRA (Eric Serra): "Little Light of Love"
This song is from the soundtrack of the wonderful 1997 film, The Fifth Element. When I first heard it, I thought it was yet another amazing Peter Gabriel tune I had somehow missed. But it's not Peter. It's Eric Serra. There are so many hooks in this song - it's infectious. And Nourith Sibony's amazing vocals on the end of the song, along with the guitar part that echoes the melody, are hypnotic. I can listen to it over and over again.
Switchfoot: "Dare You to Move New"
This alternate version of the hit song is from 2004's The Beautiful Letdown. My favorite parts of this version are the percussion behind the first verse, the killer guitar in the second verse, and the build into the final chorus. Switchfoot cranks out great rock-pop songs with really hopeful messages. This is definitely one of those.
The Budos Band: "Budos Rising"
This 10-piece band from Brooklyn offers up Latin-flavored instrumentals (they call it Afro-Soul), heavy on the horn section, produced in a very rough 70's style. Even on CD, you can practically hear the scratches and pops as you listen. I first discovered them about a decade ago and they now have three albums and an EP. This track is from The Budos Band II. I always think, if the World's Most Interesting Man had a theme song, this would be it.
Until next time...
This morning was another tough one to choose from. But I will not break my own rule - 3 songs. Period. I'll also try to not repeat the artist, too often. Here's what I heard this morning:
RXRA (Eric Serra): "Little Light of Love"
This song is from the soundtrack of the wonderful 1997 film, The Fifth Element. When I first heard it, I thought it was yet another amazing Peter Gabriel tune I had somehow missed. But it's not Peter. It's Eric Serra. There are so many hooks in this song - it's infectious. And Nourith Sibony's amazing vocals on the end of the song, along with the guitar part that echoes the melody, are hypnotic. I can listen to it over and over again.
Switchfoot: "Dare You to Move New"
This alternate version of the hit song is from 2004's The Beautiful Letdown. My favorite parts of this version are the percussion behind the first verse, the killer guitar in the second verse, and the build into the final chorus. Switchfoot cranks out great rock-pop songs with really hopeful messages. This is definitely one of those.
The Budos Band: "Budos Rising"
This 10-piece band from Brooklyn offers up Latin-flavored instrumentals (they call it Afro-Soul), heavy on the horn section, produced in a very rough 70's style. Even on CD, you can practically hear the scratches and pops as you listen. I first discovered them about a decade ago and they now have three albums and an EP. This track is from The Budos Band II. I always think, if the World's Most Interesting Man had a theme song, this would be it.
Until next time...
Wednesday, August 13, 2014
Three from the Train: Pinnick Gales Pridgen, Bill Spooner, U.K.
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. It's often an interesting mix. There are songs though, that I really want the world to appreciate as much as I do. Songs that make me say, "Ooh, listen to THIS! Isn't that great?!"
This morning was tough. I hear at least six songs I'd love to bring to your attention. But I will not break my own rule. I'll also try not to repeat the artist, too often. Here's what I heard this morning:
Pinnick Gales Pridgen: "Been So High (The Only Place to Go is Down)"
So, once upon a time, three incredible musicians got together to form a band and see what kind of music came out. We used to call those super groups, like Asia. This super group is made up of Dug Pinnick (King's X) on bass and vocals, Eric Gales on guitar and vocals, and Thomas Pridgen (The Mars Volta) on drums. What came out was magic. Dug has been my favorite rock vocalist for decades and he's a heck of a bass player, too. Eric Gales channels Jimi like no one else I've ever heard, and Thomas, though new to me, is amazing, as well. Check out this track from their debut album, Pinnick Gales Pridgen.
Bill Spooner: "Too Much"
I'm a huge Tubes fan. Not to detract from the other GREAT talents in the band, one of the truly creative geniuses behind the Tubes was Bill Spooner. He left the band back in the mid 80's and kind of fell off the radar. I try to keep up with what he's been doing because I love, so much, his voice, his writing, and the choices he makes as a guitarist. This is a song - a beautiful song - that he released on 2001's Demolicious: Adventures in Lo-Fi. To me, it encapsulates everything that makes Bill so amazing.
U.K.: "Night After Night"
Speaking of super groups, U.K. was comprised of John Wetton (King Crimson), Eddie Jobson (Roxy Music, Zappa), Alan Holdsworth, and Bill Bruford (Yes, etc.). Terry Bozzio (Zappa) replaced Bruford in 1978, and in 1979, U.K. released the live album, Night After Night, recorded in Japan. Hey, if it worked for Cheap Trick and Deep Purple, then why not U.K.? This track is from that live album. It's classic 70's progressive rock-pop. I really love the audience clapping along with the song the whole way through.
Until Next Time...
This morning was tough. I hear at least six songs I'd love to bring to your attention. But I will not break my own rule. I'll also try not to repeat the artist, too often. Here's what I heard this morning:
Pinnick Gales Pridgen: "Been So High (The Only Place to Go is Down)"
So, once upon a time, three incredible musicians got together to form a band and see what kind of music came out. We used to call those super groups, like Asia. This super group is made up of Dug Pinnick (King's X) on bass and vocals, Eric Gales on guitar and vocals, and Thomas Pridgen (The Mars Volta) on drums. What came out was magic. Dug has been my favorite rock vocalist for decades and he's a heck of a bass player, too. Eric Gales channels Jimi like no one else I've ever heard, and Thomas, though new to me, is amazing, as well. Check out this track from their debut album, Pinnick Gales Pridgen.
Bill Spooner: "Too Much"
I'm a huge Tubes fan. Not to detract from the other GREAT talents in the band, one of the truly creative geniuses behind the Tubes was Bill Spooner. He left the band back in the mid 80's and kind of fell off the radar. I try to keep up with what he's been doing because I love, so much, his voice, his writing, and the choices he makes as a guitarist. This is a song - a beautiful song - that he released on 2001's Demolicious: Adventures in Lo-Fi. To me, it encapsulates everything that makes Bill so amazing.
U.K.: "Night After Night"
Speaking of super groups, U.K. was comprised of John Wetton (King Crimson), Eddie Jobson (Roxy Music, Zappa), Alan Holdsworth, and Bill Bruford (Yes, etc.). Terry Bozzio (Zappa) replaced Bruford in 1978, and in 1979, U.K. released the live album, Night After Night, recorded in Japan. Hey, if it worked for Cheap Trick and Deep Purple, then why not U.K.? This track is from that live album. It's classic 70's progressive rock-pop. I really love the audience clapping along with the song the whole way through.
Until Next Time...
Tuesday, August 12, 2014
Three from the Train: The Carpenters, Elvis Presley, Roy Orbison
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. So it's often an interesting mix.
Here's what I heard this morning:
The Carpenters: "It's Going to Take Some Time"
Carole King co-wrote this great song with Ton Stern. The top 10 hit shows up on The Carpenters 1972 album, A Song for You. I love the little piano hook and the harmonies. Karen Carpenter had the perfect pop voice. I remember as a kid, laying awake late at night, riding in the back seat of my parents car and listening to AM radio hits by the glow of the radio dial. This is one of those songs I remember vividly.
Elvis Presley: "It's Now or Never"
In 1960, this was the B-side of "A Mess of Blues." Elvis channels Roy Orbison in this song. I think it's one of his best vocal performances. His vibrato and control is superb.
Roy Orbison: "Leah"
Hey, what the heck, let's keep with the sappy pop stuff. Guess the iPhone was in that sort of mood this morning. "Leah" was released as a single in 1962. (No, my daughter is not named after this song. Or the Donnie Iris song, either.) Here's the version from 1987's A Black and White Night Live, featuring a host of other artists.
Until Next Time...
Here's what I heard this morning:
The Carpenters: "It's Going to Take Some Time"
Carole King co-wrote this great song with Ton Stern. The top 10 hit shows up on The Carpenters 1972 album, A Song for You. I love the little piano hook and the harmonies. Karen Carpenter had the perfect pop voice. I remember as a kid, laying awake late at night, riding in the back seat of my parents car and listening to AM radio hits by the glow of the radio dial. This is one of those songs I remember vividly.
Elvis Presley: "It's Now or Never"
In 1960, this was the B-side of "A Mess of Blues." Elvis channels Roy Orbison in this song. I think it's one of his best vocal performances. His vibrato and control is superb.
Roy Orbison: "Leah"
Hey, what the heck, let's keep with the sappy pop stuff. Guess the iPhone was in that sort of mood this morning. "Leah" was released as a single in 1962. (No, my daughter is not named after this song. Or the Donnie Iris song, either.) Here's the version from 1987's A Black and White Night Live, featuring a host of other artists.
Until Next Time...
Monday, August 11, 2014
Three from the Train: Hüsker Dü, David Bowie, The Fags
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. So it's often an interesting mix.
Here's what I heard this morning:
Hüsker Dü: "It's Not Peculiar"
I discovered these guys on MTV's late Sunday night show, 120 Minutes. That was the best two hours of programming MTV ever had. When I heard "Could You Be The One" from 1987's Warehouse: Songs and Stories album, I was instantly hooked. I bought the cassette and wore it out on my Walkman. There are a lot of great songs on that double album and this is one of my favorites.
David Bowie: "It's No Game (Part 1)"
From Bowie's 1980 release Scary Monsters. What a great album - one of my favorite Bowie albums. It yielded two hits, "Ashes to Ashes" and "Fashion," but what I really love is the chaotic nature of this record. Here's the opening track featuring Robert Fripp's guitar work that is unlike anything else I"d heard before it and Bowie's frantic and often panicked voice that sets an amazing tone for this record, one that is "full of tension and fear."
The Fags: "List"
The Fags are a 3-piece from Detroit that play '70s-style power-crunch-pop a la Cheap Trick, The Raspberries, the Police, etc. I first caught them on some obscure internet radio show in 2002. The group had just released a five-song EP. It's one of my favorite possessions. I LOVE this band. Here's one reason why.
Until Next Time...
Here's what I heard this morning:
Hüsker Dü: "It's Not Peculiar"
I discovered these guys on MTV's late Sunday night show, 120 Minutes. That was the best two hours of programming MTV ever had. When I heard "Could You Be The One" from 1987's Warehouse: Songs and Stories album, I was instantly hooked. I bought the cassette and wore it out on my Walkman. There are a lot of great songs on that double album and this is one of my favorites.
David Bowie: "It's No Game (Part 1)"
From Bowie's 1980 release Scary Monsters. What a great album - one of my favorite Bowie albums. It yielded two hits, "Ashes to Ashes" and "Fashion," but what I really love is the chaotic nature of this record. Here's the opening track featuring Robert Fripp's guitar work that is unlike anything else I"d heard before it and Bowie's frantic and often panicked voice that sets an amazing tone for this record, one that is "full of tension and fear."
The Fags: "List"
The Fags are a 3-piece from Detroit that play '70s-style power-crunch-pop a la Cheap Trick, The Raspberries, the Police, etc. I first caught them on some obscure internet radio show in 2002. The group had just released a five-song EP. It's one of my favorite possessions. I LOVE this band. Here's one reason why.
Until Next Time...
Friday, August 8, 2014
Three from the Train: Bob Marley, Johnny Cash, The Tubes
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. So it's often an interesting mix.
Here's what I heard this morning:
Bob Marley and the Wailers: "Exodus"
This is the slightly faster version from the 1984 Legend album, a greatest hits of sort. There is another, slower version was on Marley's Exodus album, circa 1977.
Johnny Cash: "The Long Black Veil"
From the Johnny Cash at Folsom Prison album (1968). This kind of story-telling in a song is what Johnny does best. Love the interaction with the inmates. I was a late comer to Johnny's music, having hated "country" when I was a kid. Of course, there's a huge difference between this music, which is authentic, and the garbage coming out of Nashville today that passes as country. Gimme some Johnny Cash, Hank Williams, Patsy Cline, or George Jones any day of the week.
The Tubes: "You're No Fun"
The version I heard this morning was from their 1978 What Do You Want from Live? album. Couldn't find that one out there, so you'll have to settle for the studio version from Now, the album they were supporting on that tour in 1978. The Tubes are a personal favorite, so they're likely to show up here often.
Until Next Time...
Here's what I heard this morning:
Bob Marley and the Wailers: "Exodus"
This is the slightly faster version from the 1984 Legend album, a greatest hits of sort. There is another, slower version was on Marley's Exodus album, circa 1977.
Johnny Cash: "The Long Black Veil"
From the Johnny Cash at Folsom Prison album (1968). This kind of story-telling in a song is what Johnny does best. Love the interaction with the inmates. I was a late comer to Johnny's music, having hated "country" when I was a kid. Of course, there's a huge difference between this music, which is authentic, and the garbage coming out of Nashville today that passes as country. Gimme some Johnny Cash, Hank Williams, Patsy Cline, or George Jones any day of the week.
The Tubes: "You're No Fun"
The version I heard this morning was from their 1978 What Do You Want from Live? album. Couldn't find that one out there, so you'll have to settle for the studio version from Now, the album they were supporting on that tour in 1978. The Tubes are a personal favorite, so they're likely to show up here often.
Until Next Time...
Wednesday, August 6, 2014
Three from the Train: Paul McCartney, Billy Joel, The Producers
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. So it's often an interesting mix.
There was a lot of great music in rotation this morning, so this was a tough choice:
Paul McCartney: "Dear Boy"
Ram is my favorite McCartney solo album and this song is the 4th track from that 1971 release. It's the track that leads into "Uncle Albert/Admiral Halsey." There's a lot of speculation about who the song is about: John Lennon insisted the song was about him and Yoko but Paul maintained it was about himself and his love for Linda. Regardless (and I never gave it THAT much thought) it's a great song that few have heard or know about. Love the harmonies and the do-to-doing.
Billy Joel: "She's Right On Time"
I'm not a huge fan of the stuff Bill Joel is best known for. My taste in his stuff is a little less predictable (No "Piano Man", please). In fact, my two favorite Billy Joel albums are 1981's live album, Songs in the Attic and 1982's Nylon Curtain. This track form the latter is one of my favorites. I love the sentiment and the conviction.
The Producers: "What's He Got?"
The opening track from their 1981 debut album, The Producers. The video is kinda silly, but close your eyes and listen to the song. Pure 80's pop at its very best. They should have made it illegal for anyone to ever use this chord progression after this song was released. (It's so over used now that I can barely stand it when I hear it.) I love the background vocals - na-na-na-na-na-na-na-na - on this track.
Until Next Time...
There was a lot of great music in rotation this morning, so this was a tough choice:
Paul McCartney: "Dear Boy"
Ram is my favorite McCartney solo album and this song is the 4th track from that 1971 release. It's the track that leads into "Uncle Albert/Admiral Halsey." There's a lot of speculation about who the song is about: John Lennon insisted the song was about him and Yoko but Paul maintained it was about himself and his love for Linda. Regardless (and I never gave it THAT much thought) it's a great song that few have heard or know about. Love the harmonies and the do-to-doing.
Billy Joel: "She's Right On Time"
I'm not a huge fan of the stuff Bill Joel is best known for. My taste in his stuff is a little less predictable (No "Piano Man", please). In fact, my two favorite Billy Joel albums are 1981's live album, Songs in the Attic and 1982's Nylon Curtain. This track form the latter is one of my favorites. I love the sentiment and the conviction.
The Producers: "What's He Got?"
The opening track from their 1981 debut album, The Producers. The video is kinda silly, but close your eyes and listen to the song. Pure 80's pop at its very best. They should have made it illegal for anyone to ever use this chord progression after this song was released. (It's so over used now that I can barely stand it when I hear it.) I love the background vocals - na-na-na-na-na-na-na-na - on this track.
Until Next Time...
Tuesday, August 5, 2014
Three from the Train: Brand X, Chris Whitley, Dread Zeppelin
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. So it's often an interesting mix.
Here's what found its way into rotation today:
Brand X: "Sun in the Night"
From 1977's Moroccan Roll, this track features Phil Collins singing Sanskrit and Percy Jones on what I can best call Sitar Bass - a weird phased and chorused out the wazoo fretless bass part that dominates the song. If you've never heard this album in it's entirety, you're missing some of the best British fusion ever made.
Chris Whitley: "Can't Get Off"
1995's Din of Ecstasy is the follow-up to Chris Whitley's amazing debut, Living with the Law. I love the guitar on this track. I can't say enough about how much I love Chris's work. The world lost him to lung cancer almost a decade ago - tragic. If you don't know about Chris Whitley, check him out.
Dread Zeppelin: "Nobody's Fault But Mine"
What DO you get when you reboot Zeppelin as a Reggae band and hire an Elvis impersonator as your lead singer? Dread Zeppelin, of course. From their second album, 5,000,000* (*Tortelvis Fans Can't Be Wrong). Nothing I can say can prepare your for this if you've never heard them before.
Until Next Time...
Here's what found its way into rotation today:
Brand X: "Sun in the Night"
From 1977's Moroccan Roll, this track features Phil Collins singing Sanskrit and Percy Jones on what I can best call Sitar Bass - a weird phased and chorused out the wazoo fretless bass part that dominates the song. If you've never heard this album in it's entirety, you're missing some of the best British fusion ever made.
Chris Whitley: "Can't Get Off"
1995's Din of Ecstasy is the follow-up to Chris Whitley's amazing debut, Living with the Law. I love the guitar on this track. I can't say enough about how much I love Chris's work. The world lost him to lung cancer almost a decade ago - tragic. If you don't know about Chris Whitley, check him out.
Dread Zeppelin: "Nobody's Fault But Mine"
What DO you get when you reboot Zeppelin as a Reggae band and hire an Elvis impersonator as your lead singer? Dread Zeppelin, of course. From their second album, 5,000,000* (*Tortelvis Fans Can't Be Wrong). Nothing I can say can prepare your for this if you've never heard them before.
Until Next Time...
Monday, August 4, 2014
Three from the Train: Wang Chung, Rage Against the Machine, Beru Revue
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. So it's often an interesting mix.
Here's what found its way into rotation today:
Wang Chung: "Devoted Friends"
I bought Points on the Curve when I heard "Dance Hall Days" back in 1984. This track is one of the strongest moments on the album. I love the dissonance and the resolve of each line and the sentiment of the song. We've all been there: "If it doesn't work out, we'll stay friends, no?" Most likely, no. You can never put the genie back in the bottle.
Rage Against the Machine: "Testify"
From 1999's Battle of Los Angeles, this song pretty much encapsulates all that Rage' is about. Driving, relentless, hard-core, politically pointed, metal rap. Love, love, love Tom Morello's guitar work. Check out Audioslave, too. Brad Wilk and Zack de la Rochais also make up one heck of a rhythm section.
Beru Revue: "Be Careful Tonight"
Beru and my band, Love Bomb, used to play on the same bill a lot in the late 80's and early 90's. They never had a major deal, but they should have. This has always been my favorite track of theirs. The version I heard this morning was from the Empire Rock Room, circa 1985. Here's a more recent video of "Be Careful Tonight." Greg Davis is featured on the guitar solo in this song. What an amazing player.
Until Next Time...
Here's what found its way into rotation today:
Wang Chung: "Devoted Friends"
I bought Points on the Curve when I heard "Dance Hall Days" back in 1984. This track is one of the strongest moments on the album. I love the dissonance and the resolve of each line and the sentiment of the song. We've all been there: "If it doesn't work out, we'll stay friends, no?" Most likely, no. You can never put the genie back in the bottle.
Rage Against the Machine: "Testify"
From 1999's Battle of Los Angeles, this song pretty much encapsulates all that Rage' is about. Driving, relentless, hard-core, politically pointed, metal rap. Love, love, love Tom Morello's guitar work. Check out Audioslave, too. Brad Wilk and Zack de la Rochais also make up one heck of a rhythm section.
Beru Revue: "Be Careful Tonight"
Beru and my band, Love Bomb, used to play on the same bill a lot in the late 80's and early 90's. They never had a major deal, but they should have. This has always been my favorite track of theirs. The version I heard this morning was from the Empire Rock Room, circa 1985. Here's a more recent video of "Be Careful Tonight." Greg Davis is featured on the guitar solo in this song. What an amazing player.
Until Next Time...
Friday, August 1, 2014
Three from the Train: Utopia, Genesis, Stereophonics
Every morning that I decide to drag myself to the city, I have a little over an hour to listen to music on the train. I put the iPhone music player on shuffle, and off I go. Calling my collection eclectic would be an understatement. So it's often an interesting mix.
Here's what found its way into rotation today:
Utopia: "Abandon City"
Great song from a woefully unknown Utopia album, 1977's Oops! Wrong Planet. This song features Roger Powell on vocals and Trumpet. Great trumpet solo leads into an amazing Todd Rundgren guitar solo. One of my favorite songs on this album.
Genesis: "Squonk"
Trick of the Tail is Genesis's first album sans Peter Gabriel, released in 1976. It's one of my three favorite Genesis Albums (the others being Selling England by the Pound and The Lamb Lies Down on Broadway. "Squonk" is a bit overplayed, and I have many other preferred songs on the album, but it's still great stuff. The video is a live version.
Stereophonics: "Dakota"
When 2005's Language. Sex. Violence. Other? was recorded, this Welsh band was a three piece. I've become a big fan of front man/songwriter Kelly Jones's writing and own most of this band's catalog. Check out the video. The car says it all.
Until Next Time...
Here's what found its way into rotation today:
Utopia: "Abandon City"
Great song from a woefully unknown Utopia album, 1977's Oops! Wrong Planet. This song features Roger Powell on vocals and Trumpet. Great trumpet solo leads into an amazing Todd Rundgren guitar solo. One of my favorite songs on this album.
Genesis: "Squonk"
Trick of the Tail is Genesis's first album sans Peter Gabriel, released in 1976. It's one of my three favorite Genesis Albums (the others being Selling England by the Pound and The Lamb Lies Down on Broadway. "Squonk" is a bit overplayed, and I have many other preferred songs on the album, but it's still great stuff. The video is a live version.
Stereophonics: "Dakota"
When 2005's Language. Sex. Violence. Other? was recorded, this Welsh band was a three piece. I've become a big fan of front man/songwriter Kelly Jones's writing and own most of this band's catalog. Check out the video. The car says it all.
Until Next Time...
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